Harry Potter and The Deathly Hallows Part 2 Reviews: With the grand opening scheduled for tonight at midnight, announces the comments on "Harry Potter and the Deathly Hallows Part 2", an exciting event for movie lovers. Of course, with the construction of the mainstream media, it would be hard for fans of HP to be disappointed by the last big screen installment of the series by JK Rowling Even those who may have spotted breaking the book Deathly Hallows in two parts i.e. likely to get caught up in the latest Harry Potter madness, Here are excerpts from criticism Tribune: Here in "Deathly Hallows Part 2" is an almost non-stop action, but director David Yates, who took good care of the last 4, even more wicked Potter adventure is one of some very intelligent scenario adapter Steve Kloves. "Deathly Hallows Part 2" doesn't fly at the door; throw the Death Eaters on your computer-generated face. Part 2 begins in earnest, with the tense meeting with John Hurt Radcliffe (as Olli Vander they wandmaker) and Warwick Davis (who sphinx Hook Grip Goblin with tiny sharp teeth). The talks are not just exhibits, and they immediately remind the audience that although "Deathly Hallows Part 2" will kill different characters, some of them, surprisingly violent, it will also have some real old-school listening. Los Angeles Times: One of the joys of "Hallows Part 2" is how the film's production team has expanded to relatively short passages in the book, and made to meet the visual delights. One of the best is almost immediately, with Potter and his friends enter a travel deep into twisting and turning to see what is inside Gringotts vault belongs to Bellatrix Lestrange (Helena Bonham Carter). Equally good is a wild and crazy magic fire which engulfed the room when a requirement comes Fiendfyre gets out of hand. Roger Ebert: The movie is impressively staged, the dialogue becomes appropriate attention and not to hurry, there are surprises, which, in retrospect, seem jolly fair, and "Harry Potter" now has an end corresponding to the series more profitable in the history of cinema. Washington Post Feeling that both a anti-climax and a point on cream-of-the farewell, the last Harry Potter film embodies all the elements that made the franchise such a strong company, it's the cast for British culture its illustration of luxury, but unadorned story i.e. always best captured the imagination of readers.
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